Tag: James TAE

Newsflash! Djent is going mainstream – and people are pissed. You’re probably asking ‘Why are people pissed?‘ or, more likely, ‘What is Djent?‘. Our story starts almost a decade ago.

Firstly, Meshuggah did something very important indeed when they nailed the ever-increasing technical element of their brutal thrash metal on 2002’s Nothing – a record whose ‘poly-rhythmic’ chops, synonymous with more out-and-out ‘prog’ groups like The Mars Volta, became something infinitely heavier: you put it over straight drum patterns people can follow, and groove metal is born. Suddenly those ‘pretentious’ and off-kilter rhythms are just a means to discover syncopation, to hang guitar lines over steady beats and draw out the very essence of groove. THAT is heavy.

About the same sort of time, home recording technology took off, allowing a new generation of guitarists, influenced by Meshuggah, to start really playing around with these new grooves, rearranging drums parts and guitar lines endlessly, and to swap them with the growing online community at a rate of knots.

But why ‘djent’? Well, to make sure the whole thing doesn’t get sludgy and unlistenable, guitarists found they really needed to choke their guitar sounds. A consequence of this was that your usual metal power chord ends up sounding, quite literally, as a ‘DJENT, DJENT, DJENT!’. Nowadays, Djent stands for that genre of music that keeps the guitars tight, is heavily syncopated, and was probably heard online about 7 years ago.

And there, too, is the reason why people are pissed. Periphery managed to really make the big time with last years self-titled album (all the material of which was available online for donkeys years), and at a similar time, Animals As Leaders released their self-titled album seemingly out of nowhere. People are now expecting Djent to move on, but what they’re getting is a number of bands releasing that first lot of material they heard back in ’04.

Tesseract release their debut album One with opinion really split. Those that love the sound are right behind it, but you’ll find a number of people out there complaining that the material is old (not helped by vocalist changes and problems getting a label to release on). Well, no more! Let it be said right here – Tesseract are fully entitled to release the material on this album, because not only is it an exceptional body of work, nobody gets close to pulling off the atmospherics found on One.